The Astral Observatory is a peculiar place, even by Majora’s Mask‘s standards. Aside from its twisty telescope, the surrounding fence doesn’t even have a gate so the only way in is through Clock Town’s sewers. It’s a mystery how Professor Shikashi, the old man who resides within the observatory, hasn’t lost his mind being trapped inside. It’s more likely that he sends the Bombers to run his errands, but I like to believe that he is free from the trivialities of mortal life. Perhaps he has ascended to a higher plane of existence, just as I have while taking in the masterpiece of musical composition that plays within its walls.
The track opens with shimmering bells rising through a scale, leading the listener soul-first into an ethereal soundscape. The bells themselves provide a hypnotic melody, with a harpsichord keeping a steady rhythm by playing arpeggios. The choir, despite being only two voices an octave apart, adds a soothing texture to the mix. With this unique combination of sounds, it’s easy to forget that this is primarily a piano piece. The piano, in fact, is where all of those full, lush chords are coming from. Being the heart of the piece, the piano provides an enchanting base tone (as well as a strong bass tone) that every other layer compliments in gorgeous fashion.
There are many characters and side quests in Majora’s Mask that are easy to miss, and that’s a significant reason why it has left such a personal impact on so many people. This isn’t a track that most players will come by often, as the game’s plot only requires one visit to the observatory. On one hand, it’s a shame that this magnificent piece of music doesn’t have much in-game presence, but this fact amplifies how utterly magical it is. Much like the game itself, the Astral Observatory theme is fleeting, but it will stick with you forever.
