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Originally Posted by Hush
Well Christian Bale had to add many pounds of muscle for this role, it's quite possible that an actor would slim down for the role. Hmm how about that "Sheldon" actor from The Big Bang Theory?
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Well I wasn't thinking "stereotypical nerd" - it'd be too obvious.
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Hmmm well you're right about the egomania but menecing...eh. Well at least he's a better candidate than Jim Carrey (I'm sorry to whomever liked him in that role, I like Jim Carrey, I just didn't like him in that...same goes for Tommy Lee Jones as Two-face. They were too cartoony and laughing maniacly too much. It was like they were trying to channel the Joker). They'd deffinentally have to give him a new hair cut and contacts. Like you said, they're obviously not going to give it to him (he's under contract w/ Comedy Central) considering it would be too time consuming.
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As the Riddler, Carrey was terrible. As Edward Nygma, he was outstanding. If that makes any sense. Once he donned the costume, he lost his edge and became just plain zany. But he was riveting up until that point.
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Now the real question is, how would the Riddler be involved in Batman 3? I read through some old posts and came across someone who mentioned the Riddler to be like a "L" character (from the anime/manga Death Note). I find that a very interesting turn of events. I mean Scarecrow worked for the League of Assassins, Joker against the mob, why not have Riddler work with the police? Maybe Riddler could figure out that Gordon is still in cahoots with the Bats.
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That might have been me who said that. My idea was as follows:
Batman's a wanted fugitive. The authorities want him arrested, and the public are terrified of him. Batman has become "big game", and people with a desire to make their name are attempting to unravel the mystery of his identity - sort of like the way the Zodiac Killer started to attract amateur detectives.
Dead bodies start turning up, with boxes left nearby. The police are baffled. The boxes, when examined, self-destruct (often maiming a police officer in the process). Even the bomb squad can't figure out how to defuse them safely. Eventually, the killer gets impatient and addresses the boxes, informing the police that the "presents" are not for them, but for the Batman.
Gordon relays the message to Batman somehow, and Batman discreetly examines the latest deathtrap in the Batcave. When he successfully opens it, he finds a note assembled from newspaper clippings: "LeT'S PLAY A GAME". Underneath is a game of
Guess Who.
The game, then, is this: the Riddler wants to know who Batman is, and since Batman can only reliably be expected to show up at the scene of a crime, Riddler will kill people to draw Batman out and observe him. When he has unravelled the mystery, he will go public with Batman's identity and be acclaimed as the world's greatest detective. Batman, if he wishes to avoid this, must figure out the Riddler's identity before the Riddler discovers his.
Each of Riddler's deathtraps is designed to tell the Riddler a little something about the person who solves it. In other words, each puzzle has multiple solutions, and analysing the solution Batman identifies will allow the Riddler to build a "psychological profile" of the Bat. Each time Batman examines one of Riddler's crime scenes, Riddler is counting on learning more about the Bat than the Bat learns about him. Of course, these motives are not revealed until the end of the film.