Quote:
Originally Posted by Hyperactivity
Well, Majora's Mask originally had some interesting tidbits that could be built upon. The Moon itself was supposed to hit upon the dawn of the Carnival of Time, which was a celebration of Sun and Moon alignment.
The Moon itself, it's intended destruction of Termina, defied the Carnival of Time by using a symbol of worship, and striking on the dawn of the festival. I don't think we were ever given a proper explination for this, and why Majora's Mask would destroy Termina in this fashion. A new adventure in the post apocalyptic Termina could provide an explination.
That is why I enjoyed this idea so much. Majora's Mask, when within the moon, was surrounded by a giant sun motif. Your idea of Majora somehow becoming a part of the world is interesting because it could give depth to a very strange motivation for a villain.
|
Naturally, all living organisms want to grow; to become more than what they currently are. We are more than what we were 10 years ago, and so we will continue to leech on the world to grow into more than what we are right now. I see Majora as a fiend that fully embodies this concept, but with zero morals. It does not care about anyone or anything aside from itself, and so it will do what it can to destroy the entire world in order to expand its being, and if the means necessary are breaking from its physical shell to flood the energy plane - which would consequently effect
everything - then it will.
I see Majora as an introverted galaxy just itching to expand and consume until it becomes all that there is. Majora is not human and so it does not share the morals of humanity. It is not any type of creature - it is a certain type of concentrated energy, and just as Termina functions oppositely of its sister Hyrule, so too does Majora function oppositely of its world Termina. A world that is trying to grow technologically will be undone by a hungry fiend that grows by destroying others.
It's interesting to note that, with the concept of "fate", Termina, as it is so named, is supposed to be destroyed. Majora is living out the purpose of this world, but Link is the true villain, as he disrupts the nature of Termina. The blasphemic Triforce markings throughout the Stone Tower Temple suggest that Termina hates the sacred symbol of Hyrule, and furthermore, Hyrule itself, and that may be because Termina wants to die, yet Hyrule won't let it. Hyrule interferes with Termina's suggested fate of self-termination by sending its hero, Link to save it. Hyrule is an elitist queen, while Termina is its oppressed sister not fit for the throne. To keep up its image of a preservering and upholstered kingdom, Hyrule will fashion itself to be the savior of the whole world. Ganondorf sees this flaw and wants to undo it. He wants the world to see that Hyrule is not absolute and that it can be toppled. He even succeeded before, until divine intervention washed his dreams away with The Great Flood.
I see Ganondorf as not a figure of dark contempt, but rather one that opposes the hallowed visage of the land which he lives in, and one simply with a different idea of how his country should be governed. Being a Gerudo, oppressed already with his desertbound people, he knows the struggles of being in the lower-eschelon of the social hiearchy, and he knows that Hyrule - as an entity - naturally works to raise itself higher and higher above all else. He wants to undo this, to balance the land, and I completely agree with him on this. Similarly, Termina wants to destroy itself so that it may no longer resemble Hyrule, but again through fate, it will forever mirror Hyrule to some extent, as the two suffer world-changing apocalypses.
Just as the Triforce and the Cardinal resemble balance, so too will the worlds grow in that direction, and their denizens will help to carry out these fates.