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Originally Posted by Adventurer This is a thread for people to quickly review and rate the last movie they just saw. It can be something you just saw at the theater or a film you saw elsewhere.
I'll start with Eagle Eye. Just saw this one on Friday, the trailer looked pretty cool, and I'd have to say the movie didn't disappoint. There was non stop action and the plot kept me guessing. There are some things though that remind me of other movies I've seen from I-Robot to even Get Smart. I'd recommend anyone to see it and I give it an 8.9 out of 10. |
Hah, what a coincidence, I just saw Eagle Eye on Sunday.
I, however, thought it was pretty bad.
The plot was largely nonsensical (I could think of half-a-dozen plots that _____ could've used that would've been significantly easier.) the characters were very generic, and the moderately interesting concept was handled poorly.
The following is significantly more in-depth, there isn't much too spoil, but
if you don't like spoilers then don't read any further than this.
Right, so, first problem? ARIA can control everything that has any sort of computer in it, apparently. This goes so far as to let her ("it" is annoying to use.) apparently alter what's being broadcast on cable/satellite TV (Why is it that only one TV would show the altered broadcast, anyways? That doesn't work on any level.), control automated cranes with no access to the internet, and hijack remote-controlled missile drones, which are made to be as close to un-hackable as something can be made.
So why not just ram Airforce 1 or something? I know that apparently she couldn't put her original plan into action (though the reason given makes no actual sense from a computer-engineering standpoint.) but nothing was stopping ARIA from just creating a slightly different plan (or the same plan again) and killing everyone.
In addition, it was quite clear that ARIA felt she outranked the brother and didn't have to listen to his orders (speaking of which, I found his constant statements that she shouldn't exceed her programming to be oddly hilarious.) so why did she encrypt her plan so that only he could open it?
Also, why did the brother leave a hidden message in code? I mean, honestly, it was pretty clear that the AI didn't trust him anyways, and he knew that...
Oh, and being twins doesn't mean that your face, voice, and retinas will be close enough to your brother's to pass a biometrics test. Admittedly, such tests are quite error-prone now, but we're supposed to assume that ARIA is the most advanced computer ever built, so presumably she has decent biometric scanners, which wouldn't be fooled by that.
Let's see, what else...Right. How, exactly, did ARIA cause those power lines to break and the brother to be hit by a truck? Computers/electricity/traffic don't work that way.
Oh, and the movie clearly couldn't decide if it was an over-the-top action movie (see missile drone in traffic tunnel.) or a moderately creative thriller (see the first phone call.)
Now, I keep saying the idea was interesting, but then I tear into it, so what would I change?
Well, first off, it makes no sense to have ARIA capable of controlling everything with a computer. Computers don't work that way, to put it simply. Instead I would've made it so that she could see out of any networked camera and listen out of any cellphone (and maybe even see out of those cellphone's cameras.) Oh, and have her able to disrupt cellphone communication.
Then, have it open as it did (I quite liked the opening scene, actually) and have ARIA decide that something needs to be done.
However, she's not omnipotent anymore, so she has to be far more subtle. (The whole brother subplot could, I think, be dropped.) What she has to do is monitor people until she catches someone doing something that she can blackmail them over, then have her call them and coerce them into doing a small (and slightly illegal) thing for her in exchange for not telling anyone. She then uses the first thing plus the new crime to force them to do a bit more until eventually they pass the point of no return.
So now she has a large network of unwilling revolutionaries. (Also, during this time, she could contact people who empathized with her goals and got them to help so that she doesn't rely on blackmail for everything.)
She uses this network to carry out some plan or other.
Now, have the movie focus on one of these people whose been coerced into it figuring out what the plan is (she'd be a fool to tell people that they'd be doing mass murder or whatever, only telling each of them a small amount so that they'd have no idea what's going on.)
Now you've got all sorts of human drama as people who are willing to go to differing lengths to avoid their secrets being revealed all having to interact with each other and the protagonist(s) (Perhaps they figured out what's going on by comparing notes.)
Then have it go on from there.
Not a perfect idea, it needs lots of fleshing out and altering, but it would've been more believable and, I think, far more interesting than the silly movie we ended up with.
Oh, I must confess that I got quite a bit of humour out of the fact that ARIA is apparently GLaDOS's twin sister or something. They have the same voice, similar personalities, and ARIA even has one of GLaDOS's glowing-sphere-things. (Which is another nitpick, why does she need an eye? And why is it such a bad one.) I was really, really hoping for her to mention cake at one point or something, just as a nod from the writers/prop guys that yes, they knew who she was similar to, but no luck.