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Originally Posted by Araneaes Not sure what you're quoting me for but if you're quoting me about Steve's death in the comics because "no one really dies in comics", it can be applied to movies as well. The protagonist always comes back or be left to the viewers to think if the protagonist is alive or not. It's type of a "twist". |
In general, I'm referring to the fact that very few comic books, and essentially no on-going comic books, could have any sort of direct adaptation to the screen. The way stories are told between the two media is so fundamentally different that it would be exceptionally difficult to create an enjoyable movie out of most comic book arcs without making some big changes. That goes for Civil War, Disassembled, or any other major or minor comic arc.
The exception would be self-contained comic books/graphic novels that have a definitive beginning, middle and end. It's why
Sin City worked so well as essentially a line-for-line frame-for-frame adaptation.
There certainly could be the kind of "nobody really dies" kind of thing in a film adaptation, but it would wholly unnecessary and would cheapen the storytelling. It's a necessity in comics because comic books are literally all second act, nothing ever resolves, the story always has to continue, so nothing is ever "final." Movies are structured differently, a good movie has three acts which includes a satisfying conclusion, and once you start to undercut the conclusion by keeping it open-ending by allowing dead people to return, you're undercutting the drama of the piece and making it harder for the audience to get emotionally invested. Unless the writer/producers can really earn the revival.